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August and September 1999
Suddenly it is more than one week into August and one realizes that summer is way too short. The evenings are once again chilly and it is necessary to bring a sweater or a jacket into the night. When I type this I can hear the rain on my roof top. From the open window the smells of the rain soaked city drifts into the room. Thick fragrances from a nearby kitchen mixes with damp concrete and asphalt.
I have been working the major part of the summer months and spent most the nights listening to music and these are the records that has been on my decks the past six weeks.
I will start with the most recent purchase, the stunning new 12" from Antonio.
ANTONIO
Azande opens with a wall of percussions, bongos, Haitian drums, congas, timbales, a Peruvian flute sample and storming synth chords. The song builds on congas and a deep b-line. The long track is progressing with breaks of steel drums, guitars and the ever present percussion patterns. Azande is very cinematic, like the music by Ennio Morricone. Another name that comes to mind is of course Curtis Mayfield who also explored the possibilities of rhythms and spirituality in his music. Check for instance Mayfieldīs classic concert recording Curtis/Live in New York 1971 with a small band.
In a letter Antonio explains that his biggest influence has been David Mancuso and The Loft back in the mid-seventies. Mancusoīs way of playing music that other people were not playing have inspired Antonio to develop a strong belief to create and play the "flip side" of his musical vision. The taste for the different version of a song is also apparent in Antonioīs own music. It is easy to find numerous of influences in Antonioīs music, but there is also a distinct different flavor in it, which makes his music so rewarding and inspiring. It is a rare quality among musicians to be able to merge all influences and inspirations into something new, rather than just make a copy of music from the past and Antonio is one of the truly gifted in dance music. Antonioīs music is much more than thunderous dance music pleasing a Saturday night crowd, his music is also intricate enough for close listening in the Walkman.
Antonio is making spiritually based music with an ambition to evoke the music lover and dancer to feel and think instead of simply jumping - to create a spirit in which the people on the dance floor closes their eyes and allows themselves to dance and move in which ever way the music makes them react.
At first hearing the mid tempo of Azande makes it an excellent track for the bar or the chill out room. But when I saw how excellent it worked at sunset yesterday, when the crowd was slow dancing with their eyes closed, I realized that Antonio is very near perfection of his musical vision. Azande is a phenomenal track and a strong contender for this yearīs single of the year!
The second song Kieleeks Groove is uptempo with fast beats aiming directly at the dance floor. The title is funny; Kieeleks Groove sounds like Swedish, and it would mean something like "Lovesī Groove" in translation. Definitely a must buy!
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2000
LAMBHOP
CALEXICO
DAVID HOLMES
MARLENA SHAW
ISOLÉE
MAE BAD BOY
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1999
ANTONIO
NEXT EVIDENCE
JOYCE
NITIN SAHWNEY
1998
PRESENCE
NINA SIMONE
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